Two Characters making antics and grimaces . Hands down, the woman ‘s legs lifted towards the wall , exposing her bottom. The man on all fours “dog” exposes his backside . His teeth are out and are an expression both surly and grotesque. One senses in this drawing multiple lines showing movement and drunkenness, painting their ridiculous at its maximum.<\/p>\n
“Today’s artist , he does not want to idle , to be a dud out of fashion , can only choose between art and propaganda for the class struggle. In both cases , it must abandon the pure art . ” Quote of the artist to speak the message of his work.<\/p>\n
George Grosz was born Georg Ehrenfried Gro\u00df July 26, 1893 in Berlin and died July 6, 1959 in Berlin , is a German painter who was an important member of the Dada movement and the left wing of the New Objectivity movement .<\/p>\n
Admitted in 1909 to the Royal Academy of Arts in Dresden ( Dresden Art Academy K\u00f6niglichen ) , in 1912 he entered the \u00c9cole des Beaux-Arts in Berlin ( Kunstgewerbeschule ), where he was a pupil of Emil Orlik ( 1870-1932 ) .<\/p>\n
Enlisted in the Army in 1914, he spent two years in a regiment of grenadiers before being reformed in May 1917. The official reason for this reform argue a sinus infection, although it remained some time in a military psychiatric hospital.<\/p>\n
Adhering to communist ideas Novembergruppe in 1918 and participating in the Spartacist uprising , Grosz was arrested in January 1919. He manages to escape with false identity papers. With Heartfield , he joined the German Communist Party (KPD) . He participates in Berlin politicized magazines like Der Ernst Blutige or Die Aktion . His anti-militarism and its commitment to proletarian art cause him trouble with the law : confiscated or banned Release conviction for insulting the imperial army, censorship collection of printed journals as ” Gott mit Uns ” ( 1920).<\/p>\n
Called ” Marshal Propagandada ” Grosz organized with Raoul Hausmann and Heartfield , the First International Dada Fair in Berlin, June 5, 1920 . Has practiced exaggeration and caricature shows with realism , the state of the world after the war. He borrows from the Futurists and Dadaists , dynamics and feverish representation of cities.<\/p>\n
Anti-Nazi , Grosz left Germany in 1932. Invited to teach art at the Art Students League of New York in 1933, he worked there intermittently until 1955. He became a citizen of the United States in 1938 .<\/p>\n
In 1950 , he opened an art school at home, while working for the Des Moines Art Center . In 1954, he was elected to the American Academy of Arts and Letters.<\/p>\n
In 1959 , he decided to return to Berlin , where he died on July 6 , who fell down the stairs after a night of binge drinking .<\/p>\n","protected":false},"excerpt":{"rendered":"
Two Characters making antics and grimaces . Hands down, the woman ‘s legs lifted towards the wall , exposing her bottom. The man on all fours “dog” exposes his backside . His teeth are out and are an expression both surly and grotesque. One senses in this drawing multiple lines showing movement and drunkenness, painting […]<\/p>\n","protected":false},"featured_media":909,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"product_brand":[],"product_cat":[1683,240,1695,159],"product_tag":[],"gender":[],"class_list":{"0":"post-1567","1":"product","2":"type-product","3":"status-publish","4":"has-post-thumbnail","6":"product_cat-20th-century","7":"product_cat-drawing","8":"product_cat-germany","9":"product_cat-paitings","10":"pa_condition-excellent","11":"pa_material-mine-de-plomb","12":"pa_origin-germany","13":"pa_painter-george-grosz","14":"pa_period-239","15":"pa_signed-yes","16":"pa_style-expressionism","18":"first","19":"instock","20":"shipping-taxable","21":"purchasable","22":"product-type-simple"},"_links":{"self":[{"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/product\/1567","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/product"}],"about":[{"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/types\/product"}],"replies":[{"embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/comments?post=1567"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/media\/909"}],"wp:attachment":[{"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/media?parent=1567"}],"wp:term":[{"taxonomy":"product_brand","embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/product_brand?post=1567"},{"taxonomy":"product_cat","embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/product_cat?post=1567"},{"taxonomy":"product_tag","embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/product_tag?post=1567"},{"taxonomy":"gender","embeddable":true,"href":"https:\/\/jurus.net\/mademoisellesteinitz\/wp-json\/wp\/v2\/gender?post=1567"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}